One glorious afternoon last week in Madison, CT, I was gathered with the amazing women of the Mezzo Cammin Women Poets Timeline Seminar (Shout out to Maryann Corbett, Jean Kreiling, Angela Alaimo O’Donnell, Wendy Sloan, Kathryn Voorhees, and Kyle Potvin, who came down for a day) when Kathryn voiced a thought that many of us were thinking.
“This conference is too good,” she said. “I can’t get any down time, because I don’t want to miss anything. Everything is brilliant.”
If you have to hear a criticism of a conference that you, personally, have poured your heart and soul (not to mention time and money) into, then that would be the one you want. But let’s unpack that a little, shall we?
During the day at Poetry by the Sea, apart from the 1-3 pm Workshop/Seminar slot, there were pretty much always two things happening simultaneously, giving participants a choice of what to attend. Kim’s astute scheduling meant that for many there was often an obvious choice, but sometimes people were clearly torn. I wouldn’t have wanted to miss Todd Boss’s excellent presentation of the Motionpoems project, for example, but I had to miss the first participant reading at which several of my friends were represented.
I was on two panels myself (Negative Reviews with Quincy R. Lehr & David Katz, which, somewhat ironically, got highly positive reviews, and Editing Poetry Journals with Allison Joseph & Anna Lena Phillips Bell, marvelously chaired by Allison), but that meant I had to miss Artistic Collaboration with Elizabyth Hiscox, Michael Bergmann, Morgan Post & Jo Yarrington, and later June Jordan at 80, with Brian Gilmore and Wendy Scott Paff. I had elected to take Richard Blanco’s one-day workshop, which was inspirational, but therefore had to forsake Young Adult Poetry with Marilyn Nelson & Helen Frost, and Translation, with Laura Marris, Todd Portnowitz and Carina del Valle Schorske. And the list goes on.
Furthermore, when we got to the portions of the day where only one thing was scheduled, it was typically unmissable. Consider Ange Mlinko’s incisive Poetry by the Sea Lecture in Poetry, or Spotlight Readings with X.J. Kennedy & Patrick Phillips, then the completely unforgetable Mahogany Browne (and her daughter, Amare) & Gregory Pardlo, or our Kimiko Hahn Keynote, or our Faculty readings (Dick Davis, Allison Joseph, Terri Witek & Cyriaco Lopes, Rafael Campo, Richard Blanco, Rowan Ricardo Phillips, A.E. Stallings (Her new heartbreaking refugee poems!), Marilyn Taylor, Annie Finch, and Joshua Mehigan), or Russell Goings’ and Quentin Talley’s The Children of Children Keep Coming. Dempsey Hall was always full, and I counted two standing ovations.
Therefore, yes, people were on the go from morning to night. But I don’t think they were really complaining! That’s what poetry conferences are meant to be like, after all–intense, joyous, inspirational celebrations of diversity and excellence, all taking place in a gorgeous setting with a shell-strewn beach and a jewel-bright sea.
So, thanks again to our Founder & Director, Kim Bridgford, for a marvelous conference, to Board members Natalie Gerber, Kat Gilbert & Cherise Pollard, Ned Balbo, Tom Cable & Russell Goings for their hard work, enthusiasm, and support. And to anyone reading this, I ask you consider three things:
- Come join us next year, Tuesday May 23–Saturday May 27
- Like us on Facebook. We have 981 likes! 1000 would be an awesome milestone!
- Sponsor us. We are non profit, so it’s tax-deductible, and you can give online. We just want to make it possible for anyone who wants to join us in 2017 to do so regardless of circumstances.
Poetry by the Sea 2016 was brilliant, and with your help, Poetry by the Sea 2017 can be even more inclusive, even more diverse. I’d say it could be even more brilliant, but then when would we sleep?